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Shop Todd Hido (American, b. 1968) - “#11542 From House Hunting” Archival Pigment Print, Signed
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Todd Hido (American, b. 1968) - “#11542 From House Hunting” Archival Pigment Print, Signed

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Todd Hido (American, b. 1968) - “#11542 From House Hunting” Archival Pigment Print, Signed (2021). Limited edition archive pigment print on luster paper. Signed en verso. In mint condition.

Size: 11 x 8.5 in

Published in 2001, House Hunting is, on the one hand, a portrait of a certain America at that specific moment in history: this is an economically downtrodden place, dark and empty homes with the dirty laundry barely packed, or homes with the lights on but radiating no warmth. Simultaneously, this is a portrait of America — and specifically, suburban America — from any contemporary post-war decade: a raw look at white paint chipping off of picket fences.

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Todd Hido (American, b. 1968) - “#11542 From House Hunting” Archival Pigment Print, Signed (2021). Limited edition archive pigment print on luster paper. Signed en verso. In mint condition.

Size: 11 x 8.5 in

Published in 2001, House Hunting is, on the one hand, a portrait of a certain America at that specific moment in history: this is an economically downtrodden place, dark and empty homes with the dirty laundry barely packed, or homes with the lights on but radiating no warmth. Simultaneously, this is a portrait of America — and specifically, suburban America — from any contemporary post-war decade: a raw look at white paint chipping off of picket fences.

Todd Hido (American, b. 1968) - “#11542 From House Hunting” Archival Pigment Print, Signed (2021). Limited edition archive pigment print on luster paper. Signed en verso. In mint condition.

Size: 11 x 8.5 in

Published in 2001, House Hunting is, on the one hand, a portrait of a certain America at that specific moment in history: this is an economically downtrodden place, dark and empty homes with the dirty laundry barely packed, or homes with the lights on but radiating no warmth. Simultaneously, this is a portrait of America — and specifically, suburban America — from any contemporary post-war decade: a raw look at white paint chipping off of picket fences.

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