Antique 18th C. Indonesian Kendi Wood Fired Terracotta Water Vessel

Antique 18th C. Indonesian Kendi Wood Fired Terracotta Water Vessel. Wood fired terracotta water vessel with the rounded double spout on top. Areas of burn marks along the exterior from the firing. In used condition with wear consistent with age.

Size: 13”H x 7.25”W x 6.5”D

The exact beginnings of the Indonesian kendi are unknown, though some scholars are certain structural influences came from the Indian kundika. Archaeological finds in Indonesia have uncovered water vessels dating as far back as the Neolithic period. The anthropomorphic designs and discovery at burial sites indicate their use and function as a ritual funerary object, most likely a tribute to the ancestors. In addition to serving as funerary objects, kendi were also used for ritual cleansings, as wine servers, vessels to administer medicine, and as everyday water carrying vessels.

Every Indonesian kendi is unique in shape and vessels with figurative and zoomorphic motifs hold additional symbolic meanings. In particular, the snake and turtle are revered popular designs. It is believed that the Hindu gods Vishnu and Brahma transformed into a giant turtle and naga serpent in order to create the island of Java. The rooster and hen are seen as symbols of fertility and hope and are often seen at marriage ceremonies. Water buffalo, another auspicious motif, represent strength, wealth, prosperity and prestige. All these animals are symbols that can be found on kendi. However, in general, kendi are bulbous in shape with a thin neck and either one or multiple spouts.

Indonesian kendi are typically unglazed earthenware, which allows the water inside to stay cool. Several centuries ago, glazed and porcelain kendi from India and China drew the attention of Europeans. Today, Indonesian kendi are actively pursued by collectors and interior designers for their natural tones and elegant curves that can effortlessly enhance any room or collection. Every kendi is unique; carefully handcrafted while being symbolically designed and decorated. No two are exactly the same. Each has its own character and appearance, which makes them ideal for assembling in collections (Misaki Imagawa, Be Primitive)