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Title: Floral Still Life with Roses in an Urn
Artist: Unknown
Date: Circa 1950-1970
Culture/Region: Continental Europe (Dutch/Flemish tradition)
Medium: Oil on canvas
Dimensions: 51.4 × 61 cm (20.25 × 24 in)
Description:
This oil painting from the early to mid 20th century presents a classical urn overflowing with roses and foliage, executed in the Dutch still life tradition. The composition echoes 17th-century prototypes while exhibiting the freer brushwork characteristic of later revivalist interpretations.
Condition:
The work exhibits a pronounced network of craquelure distributed uniformly across the entire painted surface. This fine cracking pattern, consistent with the artwork's age, appears throughout the canvas without significant variation in density. Additional age-related wear includes minor paint loss along the edges. The original stretcher remains intact, and no lining is apparent.
Technical Observations:
- Comprehensive craquelure pattern covering the complete painted area
- Minor pigment loss concentrated along the perimeter
- Original canvas and stretcher preserved
- Slight flattening of impasto in areas of thickest application
Historical Context:
While maintaining the formal structure of Dutch Golden Age still lifes (c. 1600-1700), this later interpretation focuses more on decorative appeal than the symbolic vanitas elements typical of 17th-century examples. The roses, traditional symbols of transient beauty, dominate the composition without the additional moralizing motifs often found in earlier works.
Provenance:
Private collection, NYC
Related Works:
For comparison, see:
- Ambrosius Bosschaert the Elder, "Flowers in a Glass Vase" (1621, Rijksmuseum)
- Rachel Ruysch, "Flower Still Life" (c. 1685, Mauritshuis)
Title: Floral Still Life with Roses in an Urn
Artist: Unknown
Date: Circa 1950-1970
Culture/Region: Continental Europe (Dutch/Flemish tradition)
Medium: Oil on canvas
Dimensions: 51.4 × 61 cm (20.25 × 24 in)
Description:
This oil painting from the early to mid 20th century presents a classical urn overflowing with roses and foliage, executed in the Dutch still life tradition. The composition echoes 17th-century prototypes while exhibiting the freer brushwork characteristic of later revivalist interpretations.
Condition:
The work exhibits a pronounced network of craquelure distributed uniformly across the entire painted surface. This fine cracking pattern, consistent with the artwork's age, appears throughout the canvas without significant variation in density. Additional age-related wear includes minor paint loss along the edges. The original stretcher remains intact, and no lining is apparent.
Technical Observations:
- Comprehensive craquelure pattern covering the complete painted area
- Minor pigment loss concentrated along the perimeter
- Original canvas and stretcher preserved
- Slight flattening of impasto in areas of thickest application
Historical Context:
While maintaining the formal structure of Dutch Golden Age still lifes (c. 1600-1700), this later interpretation focuses more on decorative appeal than the symbolic vanitas elements typical of 17th-century examples. The roses, traditional symbols of transient beauty, dominate the composition without the additional moralizing motifs often found in earlier works.
Provenance:
Private collection, NYC
Related Works:
For comparison, see:
- Ambrosius Bosschaert the Elder, "Flowers in a Glass Vase" (1621, Rijksmuseum)
- Rachel Ruysch, "Flower Still Life" (c. 1685, Mauritshuis)
Title: Floral Still Life with Roses in an Urn
Artist: Unknown
Date: Circa 1950-1970
Culture/Region: Continental Europe (Dutch/Flemish tradition)
Medium: Oil on canvas
Dimensions: 51.4 × 61 cm (20.25 × 24 in)
Description:
This oil painting from the early to mid 20th century presents a classical urn overflowing with roses and foliage, executed in the Dutch still life tradition. The composition echoes 17th-century prototypes while exhibiting the freer brushwork characteristic of later revivalist interpretations.
Condition:
The work exhibits a pronounced network of craquelure distributed uniformly across the entire painted surface. This fine cracking pattern, consistent with the artwork's age, appears throughout the canvas without significant variation in density. Additional age-related wear includes minor paint loss along the edges. The original stretcher remains intact, and no lining is apparent.
Technical Observations:
- Comprehensive craquelure pattern covering the complete painted area
- Minor pigment loss concentrated along the perimeter
- Original canvas and stretcher preserved
- Slight flattening of impasto in areas of thickest application
Historical Context:
While maintaining the formal structure of Dutch Golden Age still lifes (c. 1600-1700), this later interpretation focuses more on decorative appeal than the symbolic vanitas elements typical of 17th-century examples. The roses, traditional symbols of transient beauty, dominate the composition without the additional moralizing motifs often found in earlier works.
Provenance:
Private collection, NYC
Related Works:
For comparison, see:
- Ambrosius Bosschaert the Elder, "Flowers in a Glass Vase" (1621, Rijksmuseum)
- Rachel Ruysch, "Flower Still Life" (c. 1685, Mauritshuis)