Norman C. Black - Surrealist Landscape with Tree and Hay Feeder (c. 1960)
Norman C. Black - Untitled Surrealist Landscape with Tree and Hay Feeder (c. 1960)
This gouache on board presents a surrealist landscape that channels Yves Tanguy's surrealist visions. The composition contains a hay feeder anchoring the foreground, its geometric form contrasting against the silhouette of a dead tree in the distance.
The original piece comes signed in the lower right corner and retains its period gold frame with brown velvet matte. The verso bears the original Fred Reed gallery label. The work remains in good condition showing minor, age-appropriate wear.
Dimensions: 9.7 x 8.6 inches
British artist Norman C. Black developed his distinctive surrealist-abstraction approach through formative years in France (1929-1933) and formal training at Bradford Art School (1948-1952). His works gained recognition through exhibitions at the Royal Academy, Brighton Museum, and prominent galleries in Chicago, London and Newquay. This particular piece exemplifies Black's ability to transform mundane rural elements into psychologically charged surrealist tableaus, bridging English landscape traditions with European avant-garde sensibilities.
Norman C. Black - Untitled Surrealist Landscape with Tree and Hay Feeder (c. 1960)
This gouache on board presents a surrealist landscape that channels Yves Tanguy's surrealist visions. The composition contains a hay feeder anchoring the foreground, its geometric form contrasting against the silhouette of a dead tree in the distance.
The original piece comes signed in the lower right corner and retains its period gold frame with brown velvet matte. The verso bears the original Fred Reed gallery label. The work remains in good condition showing minor, age-appropriate wear.
Dimensions: 9.7 x 8.6 inches
British artist Norman C. Black developed his distinctive surrealist-abstraction approach through formative years in France (1929-1933) and formal training at Bradford Art School (1948-1952). His works gained recognition through exhibitions at the Royal Academy, Brighton Museum, and prominent galleries in Chicago, London and Newquay. This particular piece exemplifies Black's ability to transform mundane rural elements into psychologically charged surrealist tableaus, bridging English landscape traditions with European avant-garde sensibilities.
Norman C. Black - Untitled Surrealist Landscape with Tree and Hay Feeder (c. 1960)
This gouache on board presents a surrealist landscape that channels Yves Tanguy's surrealist visions. The composition contains a hay feeder anchoring the foreground, its geometric form contrasting against the silhouette of a dead tree in the distance.
The original piece comes signed in the lower right corner and retains its period gold frame with brown velvet matte. The verso bears the original Fred Reed gallery label. The work remains in good condition showing minor, age-appropriate wear.
Dimensions: 9.7 x 8.6 inches
British artist Norman C. Black developed his distinctive surrealist-abstraction approach through formative years in France (1929-1933) and formal training at Bradford Art School (1948-1952). His works gained recognition through exhibitions at the Royal Academy, Brighton Museum, and prominent galleries in Chicago, London and Newquay. This particular piece exemplifies Black's ability to transform mundane rural elements into psychologically charged surrealist tableaus, bridging English landscape traditions with European avant-garde sensibilities.
