Object: Monumental Shipibo-Conibo Anthropomorphic Polychrome Vessel
Dimensions: Height: 17” (43 cm); Width: 17” (43 cm); Depth: 14.5” (37 cm)
Materials: Local clay, natural mineral pigments (likely huito/charcoal for black, clay slips for red/white)
Dating: Mid-20th Century
Culture: Shipibo-Conibo, Ucayali River region, Eastern Peru
Description & Historical Context:
This monumental vessel is a rare example of the ceramic tradition of the Shipibo-Conibo people, an Indigenous group renowned for their visual culture centered on the complex, geometric patterns known as kené. For the Shipibo, these designs are far more than decoration; they are a visual manifestation of their cosmology, representing the harmonious and rhythmic patterns of the spiritual world, often associated with the songs of female shamans (*muraya*). These patterns are believed to hold power and are intended to be seen, felt, and even "read."
The vessel's form is masterfully crafted, combining utility with profound spiritual representation. The anthropomorphic face sculpted into the body is a classic feature of Shipibo pottery, often interpreted as a depiction of a deity or ancestor, linking the object to the human and spirit worlds. The upper half is adorned with traditional, hand-painted kené designs. The precision and complexity of these geometric patterns demonstrate the artist's exceptional skill and deep cultural knowledge, as the patterns are applied freehand without preliminary sketching. This piece is rare in the sense that these pieces are usually small to medium sized.
Condition & Analysis:
This is a wood-fired vessel, consistent with traditional Shipibo ceramic techniques. It presents in excellent, stable condition with a rich patina acquired through age and ceremonial or domestic use. There is a minor, stable chip to the rim, which does not detract from the integrity or visual power of the piece.
Object: Monumental Shipibo-Conibo Anthropomorphic Polychrome Vessel
Dimensions: Height: 17” (43 cm); Width: 17” (43 cm); Depth: 14.5” (37 cm)
Materials: Local clay, natural mineral pigments (likely huito/charcoal for black, clay slips for red/white)
Dating: Mid-20th Century
Culture: Shipibo-Conibo, Ucayali River region, Eastern Peru
Description & Historical Context:
This monumental vessel is a rare example of the ceramic tradition of the Shipibo-Conibo people, an Indigenous group renowned for their visual culture centered on the complex, geometric patterns known as kené. For the Shipibo, these designs are far more than decoration; they are a visual manifestation of their cosmology, representing the harmonious and rhythmic patterns of the spiritual world, often associated with the songs of female shamans (*muraya*). These patterns are believed to hold power and are intended to be seen, felt, and even "read."
The vessel's form is masterfully crafted, combining utility with profound spiritual representation. The anthropomorphic face sculpted into the body is a classic feature of Shipibo pottery, often interpreted as a depiction of a deity or ancestor, linking the object to the human and spirit worlds. The upper half is adorned with traditional, hand-painted kené designs. The precision and complexity of these geometric patterns demonstrate the artist's exceptional skill and deep cultural knowledge, as the patterns are applied freehand without preliminary sketching. This piece is rare in the sense that these pieces are usually small to medium sized.
Condition & Analysis:
This is a wood-fired vessel, consistent with traditional Shipibo ceramic techniques. It presents in excellent, stable condition with a rich patina acquired through age and ceremonial or domestic use. There is a minor, stable chip to the rim, which does not detract from the integrity or visual power of the piece.
