Skip to Content
Shop
Search
About
Contact
VS Blog
Versacrum Studio
Login Account
0
0
Shop
Search
About
Contact
VS Blog
Versacrum Studio
Login Account
0
0
Shop
Search
About
Contact
VS Blog
Login Account
Shop Juan Carlos Iramain (1907–1973) - Portrait of a Woman in Headdress, Signed (Graphite on Paper, 1949)
IMG_1747.png Image 1 of 6
IMG_1747.png
IMG_1746.png Image 2 of 6
IMG_1746.png
IMG_1748.png Image 3 of 6
IMG_1748.png
IMG_1745.png Image 4 of 6
IMG_1745.png
IMG_1696.jpeg Image 5 of 6
IMG_1696.jpeg
IMG_1694.jpeg Image 6 of 6
IMG_1694.jpeg
IMG_1747.png
IMG_1746.png
IMG_1748.png
IMG_1745.png
IMG_1696.jpeg
IMG_1694.jpeg

Juan Carlos Iramain (1907–1973) - Portrait of a Woman in Headdress, Signed (Graphite on Paper, 1949)

$550.00

Juan Carlos Iramain (1907–1973)

Portrait of Woman in Headdress, 1949

Graphite on paper

Sight: 13¼ × 10¼ in (34 × 26 cm) | Framed: 22.5 × 18.5 in

Housed under glass in a period silver frame with archival matting. In good condition, with minor wear consistent with age.

Signed, dated, and inscribed lower right: ‘Iramain 1949 Florida USA’.

Provenance:

Acquired directly from the artist by Ernst von Dohnányi

Thence by descent

About the Artist:

Born in San Miguel de Tucumán, Argentina, Juan Carlos Iramain was a sculptor and painter known for his expressive figurative works. A student of renowned Argentine artists, he developed a style that blended classical technique with modernist vitality, capturing both the physical and emotional essence of his subjects. His legacy is preserved at the Museo Iramain in his hometown, a dedicated institution showcasing his sculptures, paintings, and personal archives.

Active in the mid-20th century, Iramain traveled extensively, including a formative stay in Florida, where he collaborated with Hungarian composer Ernst von Dohnányi. His works—ranging from intimate portraits to monumental public sculptures—reflect a deep engagement with human form and character. Today, his contributions to Argentine art remain celebrated, with the Museo Iramain serving as a testament to his enduring influence.

Historical Notes:

This graphite portrait comes from the collection of Hungarian composer Ernst von Dohnányi (1877–1960), who taught at Florida State University from 1949. Historical records indicate that Iramain resided in Florida during this period as Dohnányi’s guest, creating a sculptural bust of the composer while teaching art to students. The piece exemplifies Iramain’s skill in rendering human character with subtle yet confident linework, offering a glimpse into his broader artistic practice.

Add To Cart

Juan Carlos Iramain (1907–1973)

Portrait of Woman in Headdress, 1949

Graphite on paper

Sight: 13¼ × 10¼ in (34 × 26 cm) | Framed: 22.5 × 18.5 in

Housed under glass in a period silver frame with archival matting. In good condition, with minor wear consistent with age.

Signed, dated, and inscribed lower right: ‘Iramain 1949 Florida USA’.

Provenance:

Acquired directly from the artist by Ernst von Dohnányi

Thence by descent

About the Artist:

Born in San Miguel de Tucumán, Argentina, Juan Carlos Iramain was a sculptor and painter known for his expressive figurative works. A student of renowned Argentine artists, he developed a style that blended classical technique with modernist vitality, capturing both the physical and emotional essence of his subjects. His legacy is preserved at the Museo Iramain in his hometown, a dedicated institution showcasing his sculptures, paintings, and personal archives.

Active in the mid-20th century, Iramain traveled extensively, including a formative stay in Florida, where he collaborated with Hungarian composer Ernst von Dohnányi. His works—ranging from intimate portraits to monumental public sculptures—reflect a deep engagement with human form and character. Today, his contributions to Argentine art remain celebrated, with the Museo Iramain serving as a testament to his enduring influence.

Historical Notes:

This graphite portrait comes from the collection of Hungarian composer Ernst von Dohnányi (1877–1960), who taught at Florida State University from 1949. Historical records indicate that Iramain resided in Florida during this period as Dohnányi’s guest, creating a sculptural bust of the composer while teaching art to students. The piece exemplifies Iramain’s skill in rendering human character with subtle yet confident linework, offering a glimpse into his broader artistic practice.

Juan Carlos Iramain (1907–1973)

Portrait of Woman in Headdress, 1949

Graphite on paper

Sight: 13¼ × 10¼ in (34 × 26 cm) | Framed: 22.5 × 18.5 in

Housed under glass in a period silver frame with archival matting. In good condition, with minor wear consistent with age.

Signed, dated, and inscribed lower right: ‘Iramain 1949 Florida USA’.

Provenance:

Acquired directly from the artist by Ernst von Dohnányi

Thence by descent

About the Artist:

Born in San Miguel de Tucumán, Argentina, Juan Carlos Iramain was a sculptor and painter known for his expressive figurative works. A student of renowned Argentine artists, he developed a style that blended classical technique with modernist vitality, capturing both the physical and emotional essence of his subjects. His legacy is preserved at the Museo Iramain in his hometown, a dedicated institution showcasing his sculptures, paintings, and personal archives.

Active in the mid-20th century, Iramain traveled extensively, including a formative stay in Florida, where he collaborated with Hungarian composer Ernst von Dohnányi. His works—ranging from intimate portraits to monumental public sculptures—reflect a deep engagement with human form and character. Today, his contributions to Argentine art remain celebrated, with the Museo Iramain serving as a testament to his enduring influence.

Historical Notes:

This graphite portrait comes from the collection of Hungarian composer Ernst von Dohnányi (1877–1960), who taught at Florida State University from 1949. Historical records indicate that Iramain resided in Florida during this period as Dohnányi’s guest, creating a sculptural bust of the composer while teaching art to students. The piece exemplifies Iramain’s skill in rendering human character with subtle yet confident linework, offering a glimpse into his broader artistic practice.

You Might Also Like

Antique 19th Century French Realist Figurative Study, Framed (c. 1860, Charcoal on Toned Paper) IMG_5229.png IMG_5227.png IMG_5223.png IMG_5219.jpeg IMG_5224.png
Antique 19th Century French Realist Figurative Study, Framed (c. 1860, Charcoal on Toned Paper)
$2,800.00
0CA38747-C465-4E6B-A77F-F1114AFB5AA3 0CA38747-C465-4E6B-A77F-F1114AFB5AA3 0CA38747-C465-4E6B-A77F-F1114AFB5AA3 0CA38747-C465-4E6B-A77F-F1114AFB5AA3 0CA38747-C465-4E6B-A77F-F1114AFB5AA3
Jody Williams - “Forces” (1987, Handmade Paper, pencil, Collage)
$385.00
F7358D59-6B53-4AFC-9AEC-0E5E7CE51557 F7358D59-6B53-4AFC-9AEC-0E5E7CE51557 F7358D59-6B53-4AFC-9AEC-0E5E7CE51557 F7358D59-6B53-4AFC-9AEC-0E5E7CE51557 F7358D59-6B53-4AFC-9AEC-0E5E7CE51557 F7358D59-6B53-4AFC-9AEC-0E5E7CE51557
Bill Sullivan - Liberty #26 (Pastel on paper)
$1,800.00
1159D325-C543-4917-8A91-34A1988A6073 1159D325-C543-4917-8A91-34A1988A6073 1159D325-C543-4917-8A91-34A1988A6073 1159D325-C543-4917-8A91-34A1988A6073 1159D325-C543-4917-8A91-34A1988A6073 1159D325-C543-4917-8A91-34A1988A6073
Vintage French Charcoal Study of Hand and Foot, Signed (Charcoal on Paper)
$185.00
B755AE05-4DCB-4775-8325-BA75F7320BA6 B755AE05-4DCB-4775-8325-BA75F7320BA6 B755AE05-4DCB-4775-8325-BA75F7320BA6
Antique 19th C. French Charcoal Sketch of Greek Bust
$240.00