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Shop Jasper Johns - “Target” Lithograph and Catalog, 1971 (Mixed Media/Plastic Clamshell Case)
Jasper Johns - “Target” Lithograph and Catalog, 1971 Image 1 of 5
Jasper Johns - “Target” Lithograph and Catalog, 1971
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Jasper Johns - “Target” Lithograph and Catalog, 1971
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Jasper Johns - “Target” Lithograph and Catalog, 1971
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Jasper Johns - “Target” Lithograph and Catalog, 1971
Jasper Johns - “Target” Lithograph and Catalog, 1971
Jasper Johns - “Target” Lithograph and Catalog, 1971
Jasper Johns - “Target” Lithograph and Catalog, 1971
Jasper Johns - “Target” Lithograph and Catalog, 1971
Jasper Johns - “Target” Lithograph and Catalog, 1971

Jasper Johns - “Target” Lithograph and Catalog, 1971 (Mixed Media/Plastic Clamshell Case)

$485.00
sold out


1970
lithograph with one brush and three watercolor pads on Copperplate Deluxe paper: 10½ h × 9 w × 1¼ d in (27 × 23 × 3 cm)

Stamped signature and date 'Jasper Johns 1970'. Work is comprised of lithograph and Technics and Creativity: Gemini G.E.L. exhibition catalog contained within original white plastic case from the edition published by Gemini G.E.L., Los Angeles, 1971.

in very good condition with wear conducive with age. Slight yellowing to the pages of catalog.

Catalog of exhibition at MOMA including plates from Frank Stella, Josef Albers, Jasper Johns, Roy Lichtenstein, Ellsworth Kelly, etc. 1st edition.

The target has been a central motif in Johns’s work since 1955. He has depicted this deceptively simple image in a range of different media, translating between contexts and materials. Johns’s approach prioritizes process and experimentation over definitive conclusions. As the artist famously wrote in a notebook in 1963–64: "Take an object / Do something to it / Do something else to it."
This work, published in connection with the exhibition catalogue Technics and Creativity, presents the outlines of five concentric circles accompanied by three dried watercolor cakes in the primary colors and a small red paintbrush. Johns wryly makes reference to the ubiquity and banality of targets, as well as to the seeming simplicity of his own celebrated creations. Below the work's stamped title and date is the artist’s signature followed by the word "AND" with a blank line, anticipating the addition of another name, that of Johns’s eventual collaborator. Target thus generates a paradox: the work can only be "completed" by someone else, but to do so would perhaps also destroy the integrity of the artwork. Therefore the work must remain in a perpetually unfinished state.

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1970
lithograph with one brush and three watercolor pads on Copperplate Deluxe paper: 10½ h × 9 w × 1¼ d in (27 × 23 × 3 cm)

Stamped signature and date 'Jasper Johns 1970'. Work is comprised of lithograph and Technics and Creativity: Gemini G.E.L. exhibition catalog contained within original white plastic case from the edition published by Gemini G.E.L., Los Angeles, 1971.

in very good condition with wear conducive with age. Slight yellowing to the pages of catalog.

Catalog of exhibition at MOMA including plates from Frank Stella, Josef Albers, Jasper Johns, Roy Lichtenstein, Ellsworth Kelly, etc. 1st edition.

The target has been a central motif in Johns’s work since 1955. He has depicted this deceptively simple image in a range of different media, translating between contexts and materials. Johns’s approach prioritizes process and experimentation over definitive conclusions. As the artist famously wrote in a notebook in 1963–64: "Take an object / Do something to it / Do something else to it."
This work, published in connection with the exhibition catalogue Technics and Creativity, presents the outlines of five concentric circles accompanied by three dried watercolor cakes in the primary colors and a small red paintbrush. Johns wryly makes reference to the ubiquity and banality of targets, as well as to the seeming simplicity of his own celebrated creations. Below the work's stamped title and date is the artist’s signature followed by the word "AND" with a blank line, anticipating the addition of another name, that of Johns’s eventual collaborator. Target thus generates a paradox: the work can only be "completed" by someone else, but to do so would perhaps also destroy the integrity of the artwork. Therefore the work must remain in a perpetually unfinished state.


1970
lithograph with one brush and three watercolor pads on Copperplate Deluxe paper: 10½ h × 9 w × 1¼ d in (27 × 23 × 3 cm)

Stamped signature and date 'Jasper Johns 1970'. Work is comprised of lithograph and Technics and Creativity: Gemini G.E.L. exhibition catalog contained within original white plastic case from the edition published by Gemini G.E.L., Los Angeles, 1971.

in very good condition with wear conducive with age. Slight yellowing to the pages of catalog.

Catalog of exhibition at MOMA including plates from Frank Stella, Josef Albers, Jasper Johns, Roy Lichtenstein, Ellsworth Kelly, etc. 1st edition.

The target has been a central motif in Johns’s work since 1955. He has depicted this deceptively simple image in a range of different media, translating between contexts and materials. Johns’s approach prioritizes process and experimentation over definitive conclusions. As the artist famously wrote in a notebook in 1963–64: "Take an object / Do something to it / Do something else to it."
This work, published in connection with the exhibition catalogue Technics and Creativity, presents the outlines of five concentric circles accompanied by three dried watercolor cakes in the primary colors and a small red paintbrush. Johns wryly makes reference to the ubiquity and banality of targets, as well as to the seeming simplicity of his own celebrated creations. Below the work's stamped title and date is the artist’s signature followed by the word "AND" with a blank line, anticipating the addition of another name, that of Johns’s eventual collaborator. Target thus generates a paradox: the work can only be "completed" by someone else, but to do so would perhaps also destroy the integrity of the artwork. Therefore the work must remain in a perpetually unfinished state.

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