Benton Murdoch Spruance - Clue to the Labyrinth Lithograph, Signed (1953, Framed)
Benton Murdoch Spruance - Clue to the Labyrinth Lithograph, Signed (1953, Framed). Printed on cream color woven paper. Housed under glass in a silver leaf frame with a deep red matte. Signed in pencil in the lower right corner and titled in the lower left. From and edition of 25. In good condition with wear consistent with age. Some wear present to the frame, print has not been inspected out of the frame.
Size: 28.75 x 22.5 in
A pioneer in color lithography, Benton Spruance spent most of his life in Philadelphia, where he attended the Pennsylvania Academy of the Fine Arts and became one of the city's leading artists. In the twenties and thirties Spruance was known for prints that one critic described as his "velvety urban scenes and 'social conscious' series," which chronicled the life of ordinary men and women at work and play. However, Spruance was also a painter and draftsman who during this period took advantage of two Guggenheim fellowships to travel throughout the United States and Europe and sketch landscapes.
In the forties Spruance began producing moody, psychologically charged lithographic portraits of women, followed by mystically tinged work, based on biblical passages, that became increasingly subtle and sculptural in effect. Despite the demand for his work (he produced more than 500 lithographs during his career), Spruance continued to teach. At the time of his death, he was chairman of the art department at Beaver College and had recently retired from the chairmanship of the printmaking department at Philadelphia College of Art.(National Museum of American Art)
Benton Murdoch Spruance - Clue to the Labyrinth Lithograph, Signed (1953, Framed). Printed on cream color woven paper. Housed under glass in a silver leaf frame with a deep red matte. Signed in pencil in the lower right corner and titled in the lower left. From and edition of 25. In good condition with wear consistent with age. Some wear present to the frame, print has not been inspected out of the frame.
Size: 28.75 x 22.5 in
A pioneer in color lithography, Benton Spruance spent most of his life in Philadelphia, where he attended the Pennsylvania Academy of the Fine Arts and became one of the city's leading artists. In the twenties and thirties Spruance was known for prints that one critic described as his "velvety urban scenes and 'social conscious' series," which chronicled the life of ordinary men and women at work and play. However, Spruance was also a painter and draftsman who during this period took advantage of two Guggenheim fellowships to travel throughout the United States and Europe and sketch landscapes.
In the forties Spruance began producing moody, psychologically charged lithographic portraits of women, followed by mystically tinged work, based on biblical passages, that became increasingly subtle and sculptural in effect. Despite the demand for his work (he produced more than 500 lithographs during his career), Spruance continued to teach. At the time of his death, he was chairman of the art department at Beaver College and had recently retired from the chairmanship of the printmaking department at Philadelphia College of Art.(National Museum of American Art)
Benton Murdoch Spruance - Clue to the Labyrinth Lithograph, Signed (1953, Framed). Printed on cream color woven paper. Housed under glass in a silver leaf frame with a deep red matte. Signed in pencil in the lower right corner and titled in the lower left. From and edition of 25. In good condition with wear consistent with age. Some wear present to the frame, print has not been inspected out of the frame.
Size: 28.75 x 22.5 in
A pioneer in color lithography, Benton Spruance spent most of his life in Philadelphia, where he attended the Pennsylvania Academy of the Fine Arts and became one of the city's leading artists. In the twenties and thirties Spruance was known for prints that one critic described as his "velvety urban scenes and 'social conscious' series," which chronicled the life of ordinary men and women at work and play. However, Spruance was also a painter and draftsman who during this period took advantage of two Guggenheim fellowships to travel throughout the United States and Europe and sketch landscapes.
In the forties Spruance began producing moody, psychologically charged lithographic portraits of women, followed by mystically tinged work, based on biblical passages, that became increasingly subtle and sculptural in effect. Despite the demand for his work (he produced more than 500 lithographs during his career), Spruance continued to teach. At the time of his death, he was chairman of the art department at Beaver College and had recently retired from the chairmanship of the printmaking department at Philadelphia College of Art.(National Museum of American Art)
