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Shop Phyllis Galembo (American, b. 1952) Deer and Bull, 2012
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Phyllis Galembo (American, b. 1952) Deer and Bull, 2012

$875.00
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Phyllis Galembo (American, b. 1952) Deer and Bull, 2012. Print on paper with signature signed en verso. Housed and matted in a white wood frame with UV filtering acrylic. In very good condition. Newly framed and matted.

Size: 19.125”W x 19.125”H

Provenance: Magnum Photos

Phyllis Galembo (born 1952) is an American photographer living in New York City.

Galembo has published seven monographs, including, Sodo (2021), Mexico: Masks, Rituals(2019), Maske (2016), Dressed for thrills : 100 years of Halloween costumes & masquerade(2002), Divine inspiration : from Benin to Bahia (1993), Vodou : visions and voices of Haiti(1998), Pale Pink (1983). Galembo was a Guggenheim Foundation Fellow in 2014, as well as a New York Foundation for the Arts Fellow in 2016, 2010, and 1996, and a Senior Fulbright Research Award in 1993–94, Kings, Chiefs and Women of Power, Nigeria. She earned an MFA from the University of Wisconsin at Madison, 1977.

Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In this body of work Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress.

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Phyllis Galembo (American, b. 1952) Deer and Bull, 2012. Print on paper with signature signed en verso. Housed and matted in a white wood frame with UV filtering acrylic. In very good condition. Newly framed and matted.

Size: 19.125”W x 19.125”H

Provenance: Magnum Photos

Phyllis Galembo (born 1952) is an American photographer living in New York City.

Galembo has published seven monographs, including, Sodo (2021), Mexico: Masks, Rituals(2019), Maske (2016), Dressed for thrills : 100 years of Halloween costumes & masquerade(2002), Divine inspiration : from Benin to Bahia (1993), Vodou : visions and voices of Haiti(1998), Pale Pink (1983). Galembo was a Guggenheim Foundation Fellow in 2014, as well as a New York Foundation for the Arts Fellow in 2016, 2010, and 1996, and a Senior Fulbright Research Award in 1993–94, Kings, Chiefs and Women of Power, Nigeria. She earned an MFA from the University of Wisconsin at Madison, 1977.

Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In this body of work Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress.

Phyllis Galembo (American, b. 1952) Deer and Bull, 2012. Print on paper with signature signed en verso. Housed and matted in a white wood frame with UV filtering acrylic. In very good condition. Newly framed and matted.

Size: 19.125”W x 19.125”H

Provenance: Magnum Photos

Phyllis Galembo (born 1952) is an American photographer living in New York City.

Galembo has published seven monographs, including, Sodo (2021), Mexico: Masks, Rituals(2019), Maske (2016), Dressed for thrills : 100 years of Halloween costumes & masquerade(2002), Divine inspiration : from Benin to Bahia (1993), Vodou : visions and voices of Haiti(1998), Pale Pink (1983). Galembo was a Guggenheim Foundation Fellow in 2014, as well as a New York Foundation for the Arts Fellow in 2016, 2010, and 1996, and a Senior Fulbright Research Award in 1993–94, Kings, Chiefs and Women of Power, Nigeria. She earned an MFA from the University of Wisconsin at Madison, 1977.

Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In this body of work Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress.

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